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Tim Craighead

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Exhibits     CV/Docs     All Tim Craighead     Drawing    Mixed media    Painting    Print   
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Listing 25 Works   |   Viewing 1 - 25
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Tim  Craighead Tim Craighead Orchard Series Scala and abstract painting at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Orchard Series, Scala
 
Tim  Craighead Tim Craighead Coda an abstract painting with incredible surface texture and mark making attributes at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Coda
 
Tim  Craighead Tim Craighead Dos Mundos and abstract painting at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Dos Mundos
 
Tim  Craighead Tim Craighead Into the Night an abstract painting incorporating mark making at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Into the Night
 
Tim  Craighead Tim Craighead Nightfall and abstract narrative painting at Seager Gray Gallery in Mill Valley in the San Francisco Bay Area.
Nightfall
 
Tim  Craighead Tim Craighead Orchard Series No. 4 and abstract garden inspired painting at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Orchard Series #4
 
Tim  Craighead Tim Craighead Orchard Series _5 a lyrical abstract painting with incredible surface at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Orchard Series #5
 
Tim  Craighead Tim Craighead Orchard Series July an abstract garden inspired painting at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Orchard Series, July
 
Tim  Craighead Tim Craighead Signal an abstract painting in earthy tones with incredible surface at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Signal
 
Tim  Craighead Tim Craighead Vas 4 at Seager Gray Gallery in Mill Valley CA
Vas 4
 
Tim  Craighead Tim Craighead Madremanya an abstract painting on paper at Seager Gray Gallery in Mill Valley Ca in the San Francisco Bay Area
Madremanya
 
Tim  Craighead Tim Craighead Madremanya 4 an abstract work on paper at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Madremanya 4
 
Tim  Craighead Tim Craighead Trace Series Monotype No. 105 at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area.
Trace Series Monotype No. 105
 
Tim  Craighead Tim Craighead Trace Series Monotype 107 Seager Gray Gallery Mill Valley CA San Francisco Bay Area
Trace Series Monotype No. 107
 
Tim  Craighead Tim Craighead Trace Series Monotype No. 124 at Seager Gray Gallery in Mill Valley CA near the San Francisco Bay Area.
Trace Series Monotype No. 124
 
Tim  Craighead Untitled 7
Untitled 7
 
Tim  Craighead Untitled 9
Untitled 9
 
Tim  Craighead Tim Craighead Water Series Monotype I Seager Gray Gallery Mill Valley CA San Francisco Bay Area
Water Series Monotype I
 
Tim  Craighead James Allen Water Series Monotype II Seager Gray Gallery Mill Valley CA San Francisco Bay Area
Water Series Monotype II
 
Tim  Craighead Tim Craighead Water Series Monotype XVII at Seager Gray Gallery in Mill Valley CA near the San Francisco Bay Area.
Water Series Monotype XVII
 
Tim  Craighead Drift
Drift
SOLD
 
Tim  Craighead Tim Craighead Madremanya 9 an abstract drawing at Seager Gray Gallery in Mill Valley CA near San Francisco CA.
Madremanya 9
SOLD
 
Tim  Craighead Trace 34 a painting by Tim Craighead is an abstract drawing on paper at Seager Gray Gallery in mill valley california in or around the san francisco bay area
Trace 34
SOLD
 
Tim  Craighead Tim Craighead Trace Series Monotype 113 Seager Gray Gallery Mill Valley CA San Francisco Bay Area
Trace Series Monotype No. 113
SOLD
 
Tim  Craighead Vector
Vector
SOLD
 

3, 6, 12, 24, 48, 120, Works per page

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Tim  Craighead

Tim Craighead

Tim Craighead Biography

Tim Craighead’s work is categorized as abstract, though it inhabits a space between objective and non­objective painting. Both serve as a matrix for what are essentially autobiographical works. Craighead is interested in the symbolic potential of the objective world and the possibilities abstraction presents in suggesting the unknown. His mark­making operates in discreet spatial zones. He listens to the paint, the works aren’t driven self­consciously, rather they emerge from a more enigmatic, less familiar place.

Craighead received his B.A. in Printmaking and Sculpture from the University of California at Santa Cruz, CA and his M.F.A. from Columbia University, New York, NY. He returned to Columbia as a Post Graduate Fellow. He has been the recipient of the Rydell Visual Arts Fellowship and the Artist in Residence at The Print Center at the San Jose Institute of Contemporary Art, San Jose, CA. Craighead resides in Santa Cruz, CA. 

Tim Craighead Statement

My paintings operate somewhere between abstraction and the cognitive world, between the unknown and the known. The works often begin with a general idea. I might be reflecting on spiritual or corporal concerns, memory or whatever occupies my thoughts at the moment. Once the first marks are initiated all bets are off about the outcome. I try to paint what I believe in, eliminating any marks or images which feel disingenuous, listening to what the painting is telling me to do rather than imposing my will on the work. In this way, it is my hope that the paintings aren’t driven self consciously. They should emerge from a more enigmatic, less familiar place. In the process of painting, initiation, manipulation and removal of marks becomes one of action and reaction. The paintings emerge slowly, one on top of the other, until they tell me I am done.

Although my work is often categorized as abstract, I see it as inhabiting a space between objective and nonobjective painting. Both serve as a matrix for what are essentially autobiographical works. I am interested in the symbolic potential of the objective world and the possibilities abstraction presents in suggesting the unknown. These relationships are unfettered with the baggage of conventional representational or pictorial space. It is easiest to consider the work when broken down to a couple of key elements: structure and content.

Structurally I am interested in works that operate in discreet spatial zones. These spatial zones can be identified by shifts in pallet and scale and ultimately operate as metaphors of the complexity of our experiences in this life.

The content of the work can be broken down, in its simplest form, into three categories. One category is the au- tonomous mark, i.e., marks that do not serve the master of depiction. The assignation of value to these marks is purely subjective as there is no pictorial reference for one to consult. These marks must feel genuine, not mediated through the screen of the intellect. In some way the motive behind these marks mimic those of the abstract expressionists.

The next two categories of content explore structural forms, both biomorphic and architectural. Forms found in biology and in architecture constitute an important part of the visual language of the paintings. The organic forms found most often in the work are structural in nature; they are the residues of a life once lived. For me they suggest the temporal. In their infinite variations they have provided an inexhaustible reservoir of fascinating forms.

 


As the metaphor of structures that support life forms was extended, my research led me to the works of Frei Otto and Buckminster Fuller. Both architects looked extensively at models found in nature to develop the ideas surrounding their work. Their drawings detailing structural models like cable trussed tension forms and the structural nature of soap bubbles, plant forms and the like, have made for a fascinating and rich arsenal of forms that have found their way into the visual language of the paintings.

In some way, the intellect can analyze the work, but ultimately, when the paintings are working, it is hard to explain the how and the why. It is easy to make a formal analysis of the work and to position it in the great and diverse continuum of contemporary painting, but ultimately the painting must do its work from a more subversive place, a place familiar yet enigmatic, known but unknown. It is this place that the paintings attempt to inhabit. Tim Craighead

 

 

 

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